Plains, craggy plateaus and crumbling ruins stretch into the distance, an open world to be explored at your leisure as Austin Wintory’s uplifting soundtrack sweeps in at key moments. The land has been cursed with a great darkness, its gods poisoned a hero is needed, and so you, a female hunter clad in red, accept the task to cleanse and restore landmarks and deities that fell prey to a shadowy foe.
But while The Pathless is steeped in the same mythical atmosphere, it’s more focused on puzzles and actions. I f you’ve played 2016’s underwater adventure Abzû, Giant Squid’s first game, you might expect its sophomore to be a tranquil experience, less concerned with objectives and points than with memorable visuals.
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